×

Subscribe to our newsletter

Highlights From the Previous Week, Partnered Events and Haikus. View our Newsletter archive

NAWA: A City Sculpture by Oskar Zięta

Aug 22, 2017

Ultralight yet durable, the 35 arches that comprise the sculpture were assembled together thanks to proprietary technology, which allows to distort the shapes of steel elements

Scroll right to read more ›
Text by Rab Messina

This summer, Wroclaw’s Daliowa Island welcomed a new inhabitant: NAWA, a large steel sculpture made of 35 welded arches, created by architect Oskar Zięta.

NAWA was conceptualised as part of the European Capital of Culture 2016 celebrations: the official slogan, “metamorphoses of culture,” lead the Zięta design team to think of shifts in the domain of culture and the city itself —how can this metamorphosis rear its head both in Wroclaw and in a tangible object inside it?

The answer is an object that took into account both the changes in the city’s perimeter and in design technology. For the former, the team chose a wild, lush site, the smallest island in an archipelago in the Odra river, surrounded by historical architecture. For the latter, Zięta devised a way to make the sturdy construction rather ultralight: a proprietary technology called FiDU, that allowed them to distort the shapes of steel elements welded together. By inflating the metal forms with compressed air, they become durable and stable —and yet light at the same time. This is, in a sense, the first large-scale artistic manifesto for the scope of this technology.

These organic arches, whose undulating shapes are an answer to the terrain itself, serve as both elements to facilitate construction and as facilitators of artistic expression. Building on Jean Prouvé’s research on the arch form, they’ve rethought its execution and visual features thanks to the FiDU technology; by sticking to bionic forms, they honor the natural surroundings and the neighbouring buildings, such as the Ossolineum, the church’s tower at Piasek, the Wrocław Market Hall and Ostrów Tumski.

Visitors are now able to see these connections thanks to the gate-like shape of NAWA: after crossing the footbridge, pedestrians can see these selected landscapes and cityscapes both from the inside and the outside, perhaps revealing many new perspectives.

nawa_oskar_zieta
Sketches for NAWA
nawa_oskar_zieta
An initial model for the NAWA sculpture
nawa_oskar_zieta
Oskar Zieta supervises the construction process
nawa_oskar_zieta
Making the NAWA arches using FiDU technology
nawa_oskar_zieta
Installing one of the sculpture's 35 arches
nawa_oskar_zieta
The sculpture in place on Daliowa island
nawa_oskar_zieta
Lateral view of NAWA
 nawa_oskar_zieta
Below the sculpture's steel arches
banner-horizontal-TLmag-300x250
Back

Articles you also might like

Installation, Photo: Dan Kukla

The Campana Brothers debuts Hybridism at New York’s Friedman Benda gallery. Responding to a planet in crisis, the intuitively crafted and grotesque series incorporates animal forms, natural textures, woven textiles, and sustainably sourced materials in various furniture applications.

Charred drawing in process, 2016. Photo: Anne-Marie Bouttiaux

TLmag talks to Tom Joyce about how and why iron is so significant to him, and how his Everything At Hand exhibition disrupts perceptions.