×

Subscribe to our newsletter

Vincent Coppée – Tangier Art Collector

I have yet to reread Tintin in the Congo, but listening to Vincent Coppée speak, his eyes full of mischief, I can easily imagine him in 1985, a Belgian-born young man arriving in Kinshasa, Zaïre (formerly Léopoldville in the Belgian Congo). He began working in communications and advertising for his...
Scroll right to read more ›
Text by

I have yet to reread Tintin in the Congo, but listening to Vincent Coppée speak, his eyes full of mischief, I can easily imagine him in 1985, a Belgian-born young man arriving in Kinshasa, Zaïre (formerly Léopoldville in the Belgian Congo). He began working in communications and advertising for his own agency and a large international corporation.

Vincent, looking for favourable places to carry out his work, found, among others, the Académie des Beaux-Arts of Kinshasa, where he met the young painter Aimé Mpane. There, Vincent encountered and began to delve into African art; with care and passion, he soon started to assemble a collection, avoiding mediocrity and works by ‘artists without an art’*.
In 1996, he returned to Brussels, where he diversified his collection with sculpture and photography, including works by Robert Mapplethorpe and Walker Evans. In 2007, he sold a large portion of his collection to take a year’s sabbatical, returning to Africa, with a first stop in Tangier. But his journey ended there: he had a home built, featuring beautiful lines that pay homage to his passion for art.

Daniel Aron, Tangier, May 2018

*Capote, Truman. Local Color. Random House, 1950.

Vincent Coppé in his home in Tangier
Aimé Mpane, Vata-vata, acrylic on canvas, 1992
Aimé Mpane, Le libanda, acrylic on canvas, 1992
Moseka Yogo Ambake, Quatre pygmées assis, acrylic on canvas
Paul Daxhelet (1905-1993), Danseuses Louba Arthur DUpagne (1895-1961), Athlète, bronze sculpture
Sadi Matemba (1944-2013), La fête royale, oil on canvas, D.R Congo
Aimé Mpane, portrait de maman Benz, oil on canvas, 1990
Robert Mappelthorpe, Ken Moody, photo, 1984
Back

Articles you also might like

From February 12-15, NOMAD design fair returns to St. Moritz for its ninth edition, transforming the recently renovated Villa Beaulieu—formerly Klinik Gut—into an intimate showcase for contemporary art, collectible design, and jewellery.

On October 25, 2025, after three decades on Boulevard Raspail in Jean Nouvel’s iconic glass-and-steel pavilion, the Fondation Cartier pour l’art contemporain opened its doors at 2 Place du Palais-Royal, directly opposite the Louvre, marking a radical new chapter for this contemporary art centre.