Now available through MoMa’s ‘Virtual Views’ programme, Neri Oxman’s latest exhibition not only takes a critical look at the future of architecture and design, but also aims to re-define the role of the designer as the initiator of a process, rather than the decisive form-giver of an object.
“How the spirit becomes a camel, the camel a lion, and the lion at last a child”, these well-known words from Nietzsche inspired the title of the Shanghai-based Pearl Lam Galleries exhibition ‘Metamorphoses’.
In this extensive conversation between Christian Larsen and photographer Vincent Fournier, we learn about the aesthetics and interests behind ‘Brasília, A Time Capsule’, a series which investigates the architecture, landscape, and people of Brasília (Brazil).
Collaborator of our sister gallery Spazio Nobile, Matthias Kohn, developed a project about home, nature, and hospitality. In essence, the concept is based on the idea of placing furniture, most often used in private interior settings, thus adapted for this type of use, and suggesting comfort, in exterior settings, where the impact of the piece on the respective surroundings is allowed to develop fully.
Glasmuseet Ebeltoft’s summer exhibition presents the glass works of Swiss-American power couple Philip Baldwin and Monica Guggisberg. Although the exhibition’s principal medium may be glass, its intentions extend far beyond material and technique.
Celebrating his 80th birthday this autumn, Belgian visual artist Piet Stockmans presents a new publication as well as a new exhibition in the former metal warehouse of the Winterslag coal mine, which coincidentally, is where his studio, Studio Pieter Stockmans, is also located.
On her old wooden loom, Marie Hazard weaves stories with miles of thread. Through a long and complex process, she brings together traditional hand weaving techniques and digital printing technology to explore contemporary social and cultural conditions.
In celebration of Villa Noailles’ re-opening and their updated summer programme, we’re looking back at our interview with the exhibition site’s director and founder of its Design Parade: Jean-Pierre Blanc.
Belgian artist Jos Devriendt is renowned for his ceramic mushroom lamps; minimalist and iconic contemporary sculptures that are conceptual and functional. Following in the footsteps of fellow Belgian René Magritte (Ceci n’est pas une pipe) Devriendt’s everyday objects push the boundaries of function with form, colour and light.