With a focus on rare materials and a certain savoir-faire, the Paris based duo Garnier & Linker created the Diatomée Vases. The inspiration was formed by light-absorbing molecules, indeed, the vases gently illuminate a host of colors and veins.

Since launching the Fondation Thalie in Brussels in 2018, in a popular neighbourhood for contemporary art galleries, patron, author, curator, and art collector Nathalie Guiot has hatched an assortment of multidisciplinary projects that resonate more than ever, as an invitation to expand our field of possibilities.

Ragnar Kjartansson, the Icelandic artist’s performance and video work, mines the experience of monotony with its repetition and a stretched duration.

Exhibitors at Luxembourg Art Week will be divided into three complementary sections: Main Section, Take Off, and a new section: Focus. Brussels will be the first city highlighted in this new feature.

TLmag catches up with visual artist John Hogan, whose iridescent glass sculptures seem almost as though they are from a different universe.

Each reflecting on their own interpretation of their medium of choice, crystal, eight distinct crafts(wo)men present the results of their residency-time at Cristallerie Saint-Louis with Fondation d’enterprise Hermès.

Xavier Hufkens presents Tracey Emin’s new exhibition with the gallery, Detail of Love which explores love, loss and longing through different mediums.

TLmag sits down with challenging contemporary furniture making, Maastricht-based, German artist and designer, Valentin Loellmann.

Recently Galerie Nathalie Obadia presented Miss Rankin by Benoît Maire’s, whose practice is at the crossroads between philosophy and art.

From his studio in Cork, Irish designer Joseph Walsh uses traditional olive ash and limestone to create sculptures and furniture that appear to soar and float, defying their materiality, and in some cases, gravity.

From the nearly 18,000 objects in its collection, Hasselt Fashion Museum selected 170 items of clothing for their latest exhibition. Applying the principles of object-oriented research, the museum navigates through various codes to crack their language: form, fabric, vanitas, identity, and stories. 

New York based curator and writer Glenn Adamson navigates through the decades-long practice of Belgian ceramicist Piet Stockmans in his latest essay as part of TLmag 33 print edition: The New Age of Humanism.