Next week sculptor Mauro Mori reveals his new collection Les Editions Courbet, the result of an ongoing creative collaboration with Les Atelier Courbet.

Martin Szekely presents the ambiguous nature of drawers in his minimal structural configuration ‘The Drawers and I’ at Pierre Marie Giraud gallery.

With the exhibition Prehistoric Times, Centre Pompidou explores archeology and the concept of Prehistory in a profound way.

What does it mean to collect? This year, Brussel’s Horta Museum celebrates three monumental anniversaries by presenting three exhibitions that each sheds a different light on the notion of the collecting.

Three years ago, Justine God left her job as a buyer in the textile industry to launch Imprévu, a women’s ready-to-wear brand. With a thoughtful business model and strong values, her label has found its place in the Belgian market, and soon abroad.

TLmag met with multidisciplinary artist Sophie Whettnall a few weeks before the vernissage of her first solo institutional exhibition in Belgium at CENTRALE – one of the most important steps in her career.

Artist Karine Rougier talks to TLmag about the exhibition that’s currently on show at Fondation Thalie, where her atelier is reconstructed.

Maurice Scheltens and Liesbeth Abbenes have built a practice at the intersection of commissioned and autonomous photography. With a little less than a month before it ends, TLmag headed over to FOAM to see the largest museum solo exhibition of this Dutch artist duo.

Belgian artist Thomas Leeroy just opened Behind the Curtain in the Royal Museum of Fine Arts, a solo-exhibition that gives a good overview of his style.

TLmag talks to the founder of the Luigi Pericle Archive, Greta Biasca-Caroni, about bringing Swiss painter Luigi Pericle’s work and message back into the public eye after nearly 50 years of seclusion.

For the fifth edition of London Craft Week the gallery Sarah Myerscough presents the exhibition Charred in Fitzrovia chapel, exploring wood’s materiality.

TLmag highlights two installations, within Ventura Future’s Milan Design Week exhibition, that offered intimate stories and experiences about heritage, memory and using our primary senses.