Fondation Cartier pour l’art contemporain’s latest exhibition gives voice to figures who, aesthetically or scientifically, reveal the beauty and biological wealth of trees which is currently being threatened by deforestation.

This Brussels studio cultivates a carefully reasoned approach to graphic design. Contemporary, meticulous and rather trendy, the Stoëmp style is centred on experience and ethical practices. TLmag met with Italian-Polish designer-duo Gaetano Licata and Wojciech Szlachta, the source for the most multicultural “stoemp” in the Belgian capital.

Designing fabrics that are exported around the world, these two designers are as close as they are complementary. TLmag meets with half of the otherwise inseparable duo Barbara Repole, who, together with Sébastien Pescarollo, co-founded Belgian label ‘PIECEOFCHIC’.

TLmag caught up with Greta Muuri who curated the visible Seita collection storage. A set-up that investigates Rut Bryk’s colorfully and diverse work.

Von Bartha, Basel presents a solo exhibition by British glass artist Anna Dickinson which explores her unique, glass experiments.

Galerie Marzee’s latest exhibition features jewellery collections of and works by the gallery’s artists and close friends. TLmag sat down with founder Marie-José van den Hout to learn more about Marzee’s oeuvre, ethos, and the person behind it all.

The Carpenters Workshop Gallery presents Dysfunctional during Venice Biennale: a show that invites visitors to rethink conventional relationships.

The Magazzino Italian Art Foundation presents an exhibition at the Samuel Dorsky Museum of Art, exploring paper works of the Arte Povera movement.

Czech storyteller and philosopher Petr Kavan invites visitors to look within themselves through his black granite and bronze statues which reflect on esoteric notions of human destiny and existence.

David Giroire and Jérôme Bazzocchi are about to present Theoreme Editions in Paris. TLmag talks to them about its careful selection and process.

This edition of Nomad is located in the Venetian Palazzo Soranzo Van Axel where a unique dialogue between works and personal context is explored.

Chinese stone carver Song Hongquan reflects on changes in his professional and personal life by presenting three series of works that lay bare disintegrating sculptural traditions, unstable environments and controversial practices.