Jörg Bräuer’s solo show, “Lithologie”, has opened at Spazio Nobile in Brussels. He spoke recently with Marcia Bjornerud, Professor of Geosciences at Lawrence University in Wisconsin and author of the bestseller book “Timefullness”, about his recent body of photographic work, Capri Lithologie MMXXII.
Next to being the director of VOLTA art fair, Kamiar Maleki is a collector, curator and patron with over 15 years of experience in the field. TLmag caught up with Maleki to learn about how he got his start, what makes a “good” art fair and how he’s navigating through the now online art world.
“Gritty, wild stuff”, is how Schloss Hollenegg for Design and mischer’traxler studio describe the presented investigations of the role of design and its relationship with our natural environment in their exhibition during this year’s Vienna Design Week.
With a shared obsession with the organic and an instinctive relationship with raw material, the two distinct practices of designer Lionel Jadot and photographer Serge Leblon are united under a common thread in Spazio Nobile Gallery’s latest exhibition.
Valcke Art Gallery’s recent exhibition presents the transformative works of three distinct craftsmen: David Huycke, Christophe Desvallées and Guy van Leemput. TLmag talks to director Johan Valcke about the exhibition, as well as his take on the contemporary Belgian art scene.
With 38 galleries participating, an exhibition turned city trail, a blossoming off-programme and a brand new website – Brussels Gallery Weekend’s 13th edition is set to be full of innovations.
In her first showing in Scandinavia, Korean-German artist Jongsuk Yoon takes over the largest exhibition hall at the Nordic Watercolour Museum with her immense murals.
Before Kandinsky, Malevich and Mondrian, there was Hilma af Klint. After a breakout exhibition of her work in their Stockholm museum back in 2013, Malmö’s Moderna Musseet revisits the Swedish artist’s oeuvre to present new insights into af Klimt’s systematic research.
Now available through MoMa’s ‘Virtual Views’ programme, Neri Oxman’s latest exhibition not only takes a critical look at the future of architecture and design, but also aims to re-define the role of the designer as the initiator of a process, rather than the decisive form-giver of an object.