Mounir Fatmi has always been curious about the transformation of objects and how, with a slight change of context or position, they can take on entirely new meanings. Now, he regularly goes back into the archive, transforming materials into a highly charged body of work.
Deep in the middle of the Flemish fields, Belgian designer Carine Boxy creates large interior landscapes of sheepskin that drape over floors, walls and furniture. Her beautiful workplace breathes her aesthetics: rough, spontaneous and close to nature.
In this critical essay that traces Piet Stockmans’ oeuvre, cultural philosopher Willem Elias dissects the concepts and issues surrounding the influential Flemish designer and ceramist’s works.
