×

Subscribe to our newsletter

Highlights From the Previous Week, Partnered Events and Haikus. View our Newsletter archive

TList: Things Are Not What They Seem

At the FuturDome during this year’s Milan Design Week, a set of projects from Studio foam, Aectual, Federico Pazienza and Studio Diederik Schneemann played tricks on us.

Scroll right to read more ›
Text by Rab Messina

THAT’S NOT FOAM
Studio foam’s Caroline Venet has a knack for challenging the way materials are expected to behave. With her latest series, BLUSH, she turned foam, cotton and porcelain into a sensory upheaval: the delicate white vases that looked sponge-like and soft from afar were, in reality, rough and stiff when touched.

“This project started with the will to reuse industrial foam waste, and has progressed towards the upcycling of cotton, by transposing those scraps into a deeply sensual universe,” the Paris-based designer explained.

THAT’S NOT TERRAZZO
Short version: Dutch brand Aectual is 3D printing linoleum to look like alien terrazzo.

Long version: the design-driven tech company has developed software that has allowed them to sustainably print an endless floor pattern, using a linseed oil base, and have added a terrazzo infill as a visual challenge. That means it’s quite possible to have custom terrazzo on large surfaces, with a unique pattern in every metre. That’s something Amsterdam’s Schiphol Airport has taken advantage of: they integrated wayfinding motifs directly onto the floors of a 900 square metre space that will be soon open to the public.

THAT’S NOT DELFTWARE
Italian designer Federico Pazienza is honouring his current home by going mathematical on the country’s art history. With the help of the Rijksmuseum archives, the designer is turning the brush strokes in pieces of Delfts Blauw into raw vector structures. “In this digital age, it’s possible to simulate the same illustrations by using computers, but the mathematical structure of the graphics will be a discontinuous network of vectors and control points,” he explained.

Control Points is, fittingly, the name of the series that includes a plate and a square tile: by looking at them quickly, one can tell there’s something slightly off with them, but can’t really make out what it is. As small as these pieces are, few metaphors are as large when it comes to addressing the fear of what could happen once AI has the capability to oversee our everyday —and creative— lives.

THAT’S NOT AFTERNOON TEA
Had you followed the path of puzzled Italians, you might have found your way to Studio Diederik Schneemann’s Rubdish, a project with food photographer Aldwin van Krimpen that turned plastic waste collected in and around Rotterdam into delicately composed afternoon-tea petit fours. The Dutchmen found humour in the local reaction. “We know: in this country, it’s sacrilege to play with food in this way,” they said.

But they made their point: as the animals from sea to land destined to go on our plates keep showing up with plastic in their innards, we might as well be eating trash.

futurdome blush studio foam
BLUSH
Caroline Venet's pieces are made from foam, cotton and porcelain.
futurdome aectual
AECTUAL
That right there is the craftsman working on the terrazzo patterns.
futurdome aectual
AECTUAL
At Schiphol Airport, wayfinding is integrated directly into the massive custom pattern
futurdome federico pazienza
STUDIO FEDERICO PAZIENZA
The earthenware tile is based on a piece in the archives of the Rijksmuseum, but made through a CAD process
futurdome rubdish
STUDIO DIEDERIK SCHNEEMANN
Fancy some rubdish with that tea?
Back

Articles you also might like

Spazio Nobile Gallery presents, Nord, an exhibition of new work made between 2022-2023 by Norwegian ceramic artist Ann Beate Tempelhaug. The exhibition will feature a selection of large-scale ceramic sculptural ‘murals’ onto which she makes free-flowing abstract paintings inspired by the dramatic northern Norwegian landscapes and the mystery of life itself.

On a trip to South Africa, Li Edelkoort had the opportunity to visit Andile Dyalvane in his studio and experience the process and ritual that goes into his making. She wrote about his work for our A/W 2022 issue: TLmag38: Origins.

TLmag spoke to Geertje Jacobs about her new role as the director of the EKWC, the unique artist-in-residency centre in Holland focused on ceramics.