Subscribe to our newsletter

Highlights From the Previous Week, Partnered Events and Haikus. View our Newsletter archive

Verreum: Reviving Silvered Glass

Feb 25, 2016

Czech glass company Verreum produces contemporary silvered glass pieces by designers such as Sebastian Herkner, Karim Rashid and Arik Levy.

Scroll right to read more ›
Text by Lise Coirier

Prague-based glass company Verreum revives traditional Czech glass-making craftsmanship, and focuses on unique silvered glass production. Verreum produces small pieces of furniture and smaller decorative pieces such as vases, bowls, lamps and candlesticks. The company collaborates with both Czech and international designers and design studios, such as Rony Plesl, Jiri Pelcl, Olgoj Chorchoj, Arik Levy, Karim Rashid and Sebastian Herkner, who also became the art director of Verreum in 2014.

In 2012–13, Verreum co-organized Glass Is Tomorrow network and workshops. Glass Is Tomorrow talks with Pavel Weiser, founder of Verreum, about today’s glass market and craftsmanship.

Glass is Tomorrow: From where does your affinity for glass derive? Why is this medium different from others?

Pavel Weiser: Glass has been my passion for many years. However, it wasn’t love at first sight but more an admiration for the skilled handwork it requires that grew slowly. The process that transforms sand into beautiful objects will never get boring, as I’m always surprised to see how it can push new limits.

How would you describe the process of developing and blowing glass-based designs?

PW: If designers address glass with no prior experience, it can be a real challenge to give life to a product drawn on paper – with little consideration for the material’s constraints. But for our glassblowers, such an interaction allows them to improve and discover new ways of blowing glass.

What is the climate of glass today? What tools allow you to maintain your position?

PW: For us and our type of product, the market is looking for new shapes and ideas. We are getting to where we want to be.

What was your experience working with Glass is Tomorrow?

PW: Glass is Tomorrow was a good experience for us to meet new designers but perhaps mainly of the blowers to see how their contemporaries work in different countries; how they use and improve their skills. •

Glass Is Tomorrow is a European network, which aims at establishing more fluid exchange of knowledge and competencies between glass and design professionals in the north, south, east and west of Europe. Glass Is Tomorrow is initiated and organized by Brussels-based creative agency Pro Materia, which also publishes TLmagazine with Paris-based publishing house Bookstorming.

Main image
Luca Nichetto: Bonbon. Side tables for Verreum. Mouth-blown silvered glass.

Pavel Weiser, founder of glass company Verreum.
Pavel Weiser, founder of glass company Verreum.
Reverso by Sacha Walckhoff
Reverso by Sacha Walckhoff
Michael Anastassiades: Everything. Decorative spheres for Verreum. Silvered glass.
Michael Anastassiades: Everything. Decorative spheres for Verreum. Silvered glass.
Reverso by Sacha Walckhoff
Reverso by Sacha Walckhoff
Shadow by Sebastian Bergne
Shadow by Sebastian Bergne

Articles you also might like

Curated by Fondazione Lino Tagliapietra together with Fondazione Musei Civici di Venezia, Lino Tagliapietra: The Origins of a Journey is a comprehensive exhibition of work by the Italian glass artist, now on view at the Ca’ Rezzonico, Museo del Settecento Veneziano in Venice.

Fabienne Verdier recently opened an exhibition titled, “The Song of Stars”, at the Musée Unterlinden in Colmar. Curated by Frédérique Goerig-Hergott, the show presents 92 works that respond to the museum’s collection and architecture, including the iconic Isenheim Altarpiece by Grünewald. This exhibition, along with several others she had last spring, are discussed in an article that originally appeared in our S/S 2022 issue.