Between September 12th-30th, design takes over the European capital with more than 100 events that showcase Belgian excellence and creativity.
Spazio Nobile presents work by Märta Thisner & Åsa Jungnelius, including a special book signing with the artists for the launch of their collaborative book, Mussels, on September 15th.
The 19th edition of Helsinki Design Week takes place between September 6-15, 2024, with events, exhibitions and openings happening city-wide.
The Muzeum Susch presents Tapta: Flexible Forms, the first large-scale retrospective exhibition outside of Belgium of the Polish-born, Belgian based artist Maria Wierusz-Kowalska, known as Tapta.
Regenerative Futures is an in-depth exhibition that reflects the Fondation Thalie’s interest in supporting art, design and craftsmanship, with ecology at its centre.
Albarrán Bourdais inaugurates their new gallery space in Menorca with five large-scale creations by Felice Varini that fill three floors of an historic building with shape and colour.
Samuel Vanhoegaerden Gallery in Knokke presents “Stardust”, an exhibition of work by the late Belgian artist-inventor, Panamarenko. The exhibition is on view through September 15th, 2024.
Joan and Gary Gand’s renovation of the 1961 Robert Liebner House reflects the couple’s 40-year devotion to collecting and preserving modernist architecture and design.
The Tura collection goes beyond being ‘just another bathroom collection’. Rather, it represents a deeper engagement with design and sustainability in one of the world’s largest and most commercial industries.
For our 2023 issue: TLmag39: The Culture of the Object, Danielle Demetriou wrote about the timeless history of Kyoto, its culture passed down for over 1,200 years, and contemporary brands and creatives who continue the traditions.
M+ Museum in Hong Kong presents I.M. Pei: Life is Architecture, the first full-scale retrospective of world renowned architect Ieoh Ming Pei.
For our 2023 issue: TLmag39: The Culture of the Object, legendary auctioneer and art world figure, Simon de Pury, writes an engaging essay about the mysterious and intuitive appeal of objects, which doesn’t necessarily stem from their value but from something deeper.