Before Kandinsky, Malevich and Mondrian, there was Hilma af Klint. After a breakout exhibition of her work in their Stockholm museum back in 2013, Malmö’s Moderna Musseet revisits the Swedish artist’s oeuvre to present new insights into af Klimt’s systematic research.
Founder of the fashion department of the Ecole nationale supérieure des Arts Visuels (ENSAV) in Brussels, in 1986, which she later baptised La Cambre Mode(s), Francine Pairon continued to pursue her vision, eventually creating a postgraduate degree in fashion design at the Institut Français de la Mode (IFM) in Paris.
Erez Nevi Pana’s research gives an answer to a specific question: is it possible to conceive design without using any kind of material derived from animals? Born in Bnei Brak (Israel) in 1983, the designer transfers his attitude of deep respect towards life.
Now available through MoMa’s ‘Virtual Views’ programme, Neri Oxman’s latest exhibition not only takes a critical look at the future of architecture and design, but also aims to re-define the role of the designer as the initiator of a process, rather than the decisive form-giver of an object.
“How the spirit becomes a camel, the camel a lion, and the lion at last a child”, these well-known words from Nietzsche inspired the title of the Shanghai-based Pearl Lam Galleries exhibition ‘Metamorphoses’.
In this extensive conversation between Christian Larsen and photographer Vincent Fournier, we learn about the aesthetics and interests behind ‘Brasília, A Time Capsule’, a series which investigates the architecture, landscape, and people of Brasília (Brazil).
Collaborator of our sister gallery Spazio Nobile, Matthias Kohn, developed a project about home, nature, and hospitality. In essence, the concept is based on the idea of placing furniture, most often used in private interior settings, thus adapted for this type of use, and suggesting comfort, in exterior settings, where the impact of the piece on the respective surroundings is allowed to develop fully.
Glasmuseet Ebeltoft’s summer exhibition presents the glass works of Swiss-American power couple Philip Baldwin and Monica Guggisberg. Although the exhibition’s principal medium may be glass, its intentions extend far beyond material and technique.
Celebrating his 80th birthday this autumn, Belgian visual artist Piet Stockmans presents a new publication as well as a new exhibition in the former metal warehouse of the Winterslag coal mine, which coincidentally, is where his studio, Studio Pieter Stockmans, is also located.
On her old wooden loom, Marie Hazard weaves stories with miles of thread. Through a long and complex process, she brings together traditional hand weaving techniques and digital printing technology to explore contemporary social and cultural conditions.