Since winning the LOEWE Craft Prize in 2017, Ernst Gamperl has been pursuing more essential & archaic formats. ‘Tree of Life’ is his once-in-a-lifetime project, as he transforms a huge 230-year-old oak tree into 67 wrought vessels that embody his excellence in woodturning and experimental patinas.
Mounir Fatmi has always been curious about the transformation of objects and how, with a slight change of context or position, they can take on entirely new meanings. Now, he regularly goes back into the archive, transforming materials into a highly charged body of work.
Multi-disciplinary artist Igshaan Adams unpacks his identity through ritualistic performances and his use of handicrafts such as embroidery and beading. Delving into personal topics that look toward the environment in which he was raised, he resolves conflicting identities in a quest for spiritual enlightenment.
Archaeology is a pertinent source of knowledge on ancient cultures – its enquiry deeply embedded in the past. Brussels-based landscape architect Bas Smets switches this timeline around as he looks towards designing what he calls ‘the archaeology of the future’.
With his furniture and lighting, mixing noble materials, organic shapes and unusual lines, Caporusso excels in producing objects of otherworldly beauty.
Anne Derasse cherishes places filled with history, heritage, know-how and high-end craftmanship, like the “Chartreuse” of Calon Ségur she renovated. Here, TLmag catches up with the interior designer and art historian.
By focusing on craft and materiality as a common fabric, curator and writer Glenn Adamson’s practice hopes to cross cultural and language barriers alike. TLmag spoke to Glenn to learn more about his extensive research on material culture, his thoughts on distributed authorship and the need for designers and artists to create curiosity in fraught political times.