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Will you still love BRAFA when it turns 64?

In its 64th edition BRAFA Art Fair 2019 balances novelty and tradition with the 133 galleries and arts dealers who will exhibit from January 26

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In 1967 the Beatles released the song ‘When I’m Sixty-Four’. In it, Paul McCartney wonders whether love can be maintained at the ripe old age of 64 and asks:
“Will you still need me, will you still feed me
When I’m sixty-four”
Time has told us that the answer is a resounding yes with the Beatles remaining popular and well-loved by fans globally.

Facing a similar question of old-age is BRAFA Art Fair which launches its 64th edition from January 26 to February 3. Despite its age, the fair remains relevant, with last years attracting over 65 000 visitors – a testament to the fairs continued success.

This year brings 133 galleries and art dealers from 16 countries to display their artworks at the Tour & Taxis site, Brussels. The fairs diversity in bringing over 20 different artistic disciplines together in a joyful mish-mash of styles, periods and movements. This variety invites a large audience from collectors and dealers to the curious public to venture into the art world.

In addition to returning galleries, the 2019 edition of BRAFA brings new exhibitors which represent contemporary and upcoming trends in the art market. Some new names include David Aaron (London, UK) showing Ancient Egyptian and Near Eastern works of art, Heritage Gallery (Moscow, RU) showcasing Modern Russian art and Soviet design and Sofie Van de Velde (Antwerp, BE) displaying Modern and contemporary art.

Harold t’Kint de Roodenbeke, Chairman of BRAFA states “It’s always with great pride that we unveil the list of our participants, for it is indicative of the health and attractiveness of our event. With sixteen new names, we are consistent with the previous editions, and from my point of view, this is an ideal percentage. It means we are able to bring in novelty without calling into question the internal equilibrium among the various specialties, and without shaking everything up.”

In addition to the exhibitors, the 2019 talk program includes lectures such as ‘Collecting, a pleasure or a worry?’, ‘Peggy Guggenheim, a passion for collections’ and ‘What makes a masterpiece?’ which promise to explore various facets of the art world with expert panels.

Finally, as a mark of the inclusivity that the BRAFA seeks to uphold, the guest of honor this year is the performance and photographic art duo Gilbert & George who have always practiced under the mantra “art for all”. The artists will show their vision of the world which mixes humor and British eccentricity with the metaphysical and mystical. They will present five new large-scale photographic pieces.

This edition of the fair asks: Will you still visit, Will you still be inspired, when BRAFA is 64? Like with the Beatles, the answer seems to be a strong and affirmative yes.

BRAFA Art Fair will take place at Tour & Taxis, Brussels, from January 26 until February 3

Gilbert & George
Mixed media
317 x 452 cm
Image courtesy Gilbert & George, White Cube and Albert Baronian

GALERIE FLORENCE DE VOLDÈRE Spring or the allegory of perfume, circa 1640
 Jan Brueghel the Younger and collaborator (Antwerp, 1601-1678) 
Oil on panel
53 x 89 cm
Provenance: private collection, France
Literature: K. Ertz, Jan Breughel der Jüngere, Editions Luca Verlag, Germany, 1984, kat. 186, p. 351
GUEST OF HONOUR: GILBERT & GEORGE Gilbert & George, 2015
Image courtesy Gilbert & George
 Victor Vasarely (Pécs 1906-1997 Paris)
 Acrylic on board 
93 x 80 cm
 Signed on the lower center 'Vasarely'
On the back: '2350/Hat-IV/1971', a label by Atelier Vasarely, a label and a stamp by Galleria Levi Milano (469/8), a label and a stamp by Galleria d’Arte Sianesi Milano.
BELGIAN FINE COMIC STRIP GALLERY Original plate from the ‘Album à colorier’, 1944
George Remi, alias Hergé (Brussels, 1907-1983)
Indian ink on drawing paper
39 x 31 cm
 Illustration based on a variation of the ‘hors texte’ original plate of ‘Le crabe aux pinces d’or’ published in 1941
 Certificate of authenticity issued by the Authentication Committee for the work of Hergé, 17 March 2015, ref. 2015/67
© Hergé-Moulinsart
HAROLD T’KINT DE ROODENBEKE 'Les plongeurs', 1944
Fernand Léger (Argentan 1881-1955 Gif-sur-Yvette)
Gouache on paper
 50 x 65 cm 
Signed and dated lower right
Provenance: Galerie Louise Leiris, Paris; Galerie Waddington, London; Walter Bick collection, Canada; Romie Shapiro collection, New-York
GALERIE BERÈS Femme accroupie, 1930
Henri Laurens (Paris, 1885-1954)
 Tempera on cardboard
22.5 x 14.5 cm 
Monogrammed lower right: HL
Certificate of authenticity issued by Marie-Claude and Joëlle Bomsel, 28 June 2018
Provenance: the Edmond Bomsel collection, Paris
DAVID AARON 'Rockefeller' bas relief 
Egypt, 19th Dynasty, New Kingdom, circa 1300 BC
Limestone. H 31.1 cm
Provenance: with Dikran G. Kelekian (1868-1951), New York; Abby Aldrich Rockefeller, New York, acquired from the above, circa 1924-1925; estate of Abby Aldrich Rockefeller (with a life interest to John D. Rockefeller, Jr.), 1948-1961; Winthrop Rockefeller, Petit Jean Mountain, Arkansas, 1961-1973; estate of Winthrop Rockefeller, 1973-1974; David Rockefeller, New York, acquired from the above, 1974
Literature: R. Ellsworth, The David and Peggy Rockefeller collection: arts of Asia and neighboring cultures, New York, 1993, vol III, pp. 368-369, n° 274

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