×

Subscribe to our newsletter

Highlights From the Previous Week, Partnered Events and Haikus. View our Newsletter archive

The Naked Truth of Naked Roots

The Beelden aan Zee museum in The Hague is showcasing a wunderkammer of Johan Creten’s sculpture work

Scroll right to read more ›
Text by Rab Messina
Photography by Gerrit Schreurs

There’s something quite brutal about Johan Creten’s lavish pieces. They might seem erotic and sensual, but in reality they fight the notions of the exotic and the discrimination of the sexual.

That’s the gist of Naked Roots, Creten’s exhibition at the museum Beelden aan Zee in The Hague –his first institutional solo display on Dutch soil.

Albeit formed by ceramics covered in shiny gold or brightly coloured glazes, his sculptures are far from romantic: they deal with diverse social issues, such as sexual politics, the place of the individual in history and human relations –including the many shapes discrimination can take.

The 50 pieces on display cover his full oeuvre, from the delicate to the monumental. The exhibition also includes photographic collages and a number of historical objects from his own collection, as well as preliminary studies and the mother model for the upcoming Vleermuisfontein, a piece he’s developing for the city of Bolsward in honour of Leeuwarden-Friesland 2018 – Cultural Capital of Europe.

Naked Roots is on display until September 23

johan creten naked roots
johan creten naked roots
johan creten naked roots
johan creten naked roots
johan creten naked roots
johan creten naked roots
johan creten naked roots
Back

Articles you also might like

On May 20, Sammy Baloji was awarded a special mention in the Venice Architecture Biennale for his three-chapter project in collaboration with Twenty Nine Studio, which addresses the dematerialisation of the landscape and the delocalisation of precolonial social systems through colonial action. TLmag reposts an interview made with Baloji in 2018 for TLmag29.

TLmag invited Tomás Libertíny to create a carte blanche portfolio for the A/W 2022 issue: TLmag38: Origin. In the magazine pages, he featured images of his bee sculptures alongside his own personal photographs to create an engaging juxtaposition of forms, textures, and inspirations. The following is an extract from the carte blanche.