TLmag catches up with multifaceted creator Hubert Barrère, most known as being the artistic director of the Paris-based embroidery Maison Lesage. Caught between art, fashion and contemporary creation, the conversation dives into the Maison’s ethos, the gesture of the corset and the emotion of craftsmanship.
Norwegian Crafts’ latest five-part book series edited by André Gali explores the core phenomena that make up the field of contemporary craft.
MADE IN EDIT focusses on combining the world of the Artisian tradition with the world of design to give life to contemporary objects.
Southern Guild and Friedman Benda present iThongo by Andile Dyalvane, an extensive collection of sculptural ceramic seating.
TLmag sat down with Pierre Yovanovitch to talk about his practice as architect and his project La Casa de Quinta da Côrte.
TLmag catches up with interior and architecture photographer Frederik Vercruysse, whose latest series of everyday still-lives shows a shift towards the subjective within his oeuvre.
What happens when the land that is most precious to you is rocked and your creative sanctuary is shattered? Four Beirut-based designers share their hopes and losses after the devastating explosion that destroyed much of their city.
TLmag talks to Samy Rio who was, together with Claire Fayolle, invited to curate the Louvre-Design exhibition by Musée du Louvre-Lens and Lille—design.
In his material-based and experimental practice, Carl Emil Jacobsen paints his organically shaped pieces with self-made pigments from locally sourced bricks and natural stones in light to burnt hues, his work speaks to all of our bodily senses.
“Visit the interior of the Earth and, by transformation, you will find the hidden stone”. This quote by 15th century alchemist Basilius Valentinus opens up TLmag’s latest Autumn/Winter print edition — co-edited by visual artist Amy Hilton.
Kiki van Eijk’s current retrospective exhibition at the Textiel Museum in Tilburg brings fresh insight into the artist’s creative imagination.
Vienna’s Museum für angewandte Kunst (Museum of Applied Arts or MAK) was founded in 1863 as a new type of accessible forum for the emerging fields of industrial art and design.
