ADAM – Brussels Design Museum’s latest exhibition offers a sociological reflection of the aspirations and ideals of the past through an analysis of their interiors.
Under the fixed static gaze of Pablo Bronstein’s ‘Grey Witch’, visitors to his site-specific installations in Turin & Venice are propelled into reflections on the constrictions of the space, time and image of the present.
Martin Szekely presents the ambiguous nature of drawers in his minimal structural configuration ‘The Drawers and I’ at Pierre Marie Giraud gallery.
What does it mean to collect? This year, Brussel’s Horta Museum celebrates three monumental anniversaries by presenting three exhibitions that each sheds a different light on the notion of the collecting.
Maurice Scheltens and Liesbeth Abbenes have built a practice at the intersection of commissioned and autonomous photography. With a little less than a month before it ends, TLmag headed over to FOAM to see the largest museum solo exhibition of this Dutch artist duo.
TLmag talks to the founder of the Luigi Pericle Archive, Greta Biasca-Caroni, about bringing Swiss painter Luigi Pericle’s work and message back into the public eye after nearly 50 years of seclusion.
TLmag highlights two installations, within Ventura Future’s Milan Design Week exhibition, that offered intimate stories and experiences about heritage, memory and using our primary senses.
TLmag talks to Fonderia Artistica Battaglia’s new Art Director Nicolas-Bellavance Lecompte about his multi-faceted practice, his new role and the concept behind his latest show ‘L’Ultima Cera’.
Design Museum Den Bosch’s exhibition unearths European Ceramic Work Centre’s (Sundaymorning@ekwc) history as it engages with themes of transience, eternity, and the fine line between authenticity and reproduction.
TLmag talked to Italian glass artist Simone Crestani about his young beginnings, artistic philosophies and Asian inspirations for his personal exhibition ‘Poetry of Light’ – on view at the Adele-C showroom during Milano Design Week.
TLmag talks to scenographer Rain Wu and Art Director Lise Coirier about Taiwanese traditional craftsmanship and how exhibiting cultural objects changes the way we perceive them. “Formosa: A New Layer Taiwan meets Yii” is an exhibition which has been inaugurated at Spazio Nobile in Brussels before heading to Révélations Biennial at Grand Palais in Paris.
Nineteen international designers collaborate in the fourth edition of Doppia Firma; a Milan design week exhibition that couples up contemporary designers with master artisans.