Creative director, speaker, consultant, teacher and author – this multi-faceted designer and theorist gives TLmag his vision on the past and future of design and the profession of the designer in relation to the COVID-19 crisis.
Using wet plate collodion photographic processes from the mid-19th century, the intimate portraits taken by Italian photographer Silvano Magnone give shape and feeling to suspended time.
This poetic monochromatic photo series by Brazilian-American photographer Eliseu Cavalcante documents his 2500 mile journey down the length of the Amazon River – capturing the life of the people who live on its shores.
Deep in the middle of the Flemish fields, Belgian designer Carine Boxy creates large interior landscapes of sheepskin that drape over floors, walls and furniture. Her beautiful workplace breathes her aesthetics: rough, spontaneous and close to nature.
For four generations, the Croonenberghs family has shared their passion for marble with architects, designers and lovers of fine materials and stories through their family business. Now, Isabelle Croonenberghs and her brother Bruno are orchestrating the future of Cromarbo.
Despite events being cancelled or postponed on a worldwide scale, and the precarious situation that many cultural institutions and designers have landed in because of the COVID-19 pandemic, we have also seen a new urgency develop to create new ways of retaining solidarity and connection.
As part of the #StayHome campaign, Ascona-based Archivio Luigi Pericle is proposing a series of encounters devoted to the life and work of Swiss artist Luigi Pericle.
One of Finland’s most internationally renowned ceramic artists, Kristina Riska’s first solo show with Galerie Forsblom showcases two series that each reflect on the artist’s methodology of bringing unknown or looked over ideas into the spotlight.
TLmag talks to Norwegian ceramic artist Ann Beate Tempelhaug, whose large-scale ceramic objects aim to offer a meditation on time.
Italian design duo and co-curators of TLmag’s next print edition, Formafantasma, re-evaluate our relationship with trees and poses a series of essential questions about design and sustainability in their latest exhibition ‘Cambio’.
What truths do maps truly convey about our place in the world? Continuing her methodological focus on sustainability and temporality, the newest series of works by British-Taiwanese artist Rain Wu allows us to re-imagine our relationship with these cultural artefacts.
Whether it’s by using scutched flax fibres to create a rug or 65 litres of crude oil to create a a stone-like table, Pauline Esparon’s process is dedicated to transforming the unrefined materials that surround us to highlight the qualities that we’ve taken for granted.