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TLmag invited Tomás Libertíny to create a carte blanche portfolio for the A/W 2022 issue: TLmag38: Origin. In the magazine pages, he featured images of his bee sculptures alongside his own personal photographs to create an engaging juxtaposition of forms, textures, and inspirations. The following is an extract from the carte blanche.
Rotterdam based artist Tomáš Libertíny talks to TLmag about his recent work Eternity, which touches upon many different themes and concepts.
The Slovakian artist is presenting Chronosophia, a solo show with pieces built out of honeycombs, at Brussels’ Spazio Nobile
“Time is the only commodity,” Tomáš Libertíny told TLmag about transition, decay and becoming in his Chronosophia exhibition at Spazio Nobile Gallery.
For glass sculpture The Sentinel, Tomáš Libertíny became a bee himself instead of working directly with bees.
Cover Art: The Fallen Bee by Tomas Libertiny
The cover art work is a photograph I took of a dead honeybee. The image is both symbolic and literal. The death, slow and gentle, is played out on a theatre stage.
The Museum of Decorative Arts in Paris pays tribute to fashion designer Iris van Herpen with Sculpting the Senses, an extensive exhibition featuring over 100 haute couture pieces. The exhibition is on view now through April 28, 2024.
Spazio Nobile Gallery presents four exhibitions this Brussels Gallery Weekend: Bluescapes, Windows, Le Sacre de la Matière, and Another Way To Draw.
Forty-six art galleries open their doors this weekend to surprise visitors with the fourteenth edition of the Brussels Gallery Weekend.
This weekend marks the ending of the show The New Age of Humanism, a journey that is both experiential and holistic, physical and cosmic.
Spazio Nobile Gallery presents the show The New Age of Humanism, a journey that is both experiential and holistic, physical and cosmic.
A single physical line links Paris, Brussels and Amsterdam. Travelling by train from one of these cities to another takes just a matter of hours and offers view after view of the same flat countryside. The land gives off an unusual light. Let’s call it a glimmer of hope. Yet it is impossible to forget the lingering latent anxiety one year after the attacks in Paris and Brussels. Though these cities have bounced back, their inhabitants will never be able to experience them the same way again.
