Inspired by western and non-western masters alike, visual artist Sanam Khatibi interrogates our personal and political power-structures through material and scenic juxtapositions in her paintings, embroidery, tapestries and ceramic sculptures. TLmag talks to the Belgian artist and reflects on the underlying personal attributes that influence her intuitive practice.
Galerie Marzee’s latest exhibition features jewellery collections of and works by the gallery’s artists and close friends. TLmag sat down with founder Marie-José van den Hout to learn more about Marzee’s oeuvre, ethos, and the person behind it all.
TLmag talks to Elisabeth Millqvist, the artistic and co-director of Wanås Konst: a beautifully isolated Swedish sculpture park that breaks the behavioural barriers of the white cube – and whose open collaboration with artists ignites a refreshing approach to looking at and experiencing art.
TLmag caught up with Studio Mumbai’s founder Bijoy Jain to talk about his new series of hand-made furniture at MANIERA Gallery, the language of materials and the intrinsic spirit of his design process.
TLmag talks to celebrated French designer Patrick Jouin on using wood as an alternative to plastic and how his endless fascination with nature’s efficiency influences his prolific practice.
In this expansive interview, TLmag talks to co-curator Angela Rui on the (unseen) thoughts and ideas behind the Dutch contribution to the XXII Triennale di Milano.
Belgian designer Annick Schotte revives traditional craftsman practices in Wallonia through her detailed art installation and crystal chandelier at Cockerill Castle.
75 years after it was founded, Parisian Ecole Camondo expands its reach and opens a second site overlooking Toulon’s harbour in September 2019.
TLmag talks to this young gallerist and interior designer on her lifetime passion for collecting her “crushes” and her apartment gallery’s latest exhibition.
ADAM – Brussels Design Museum’s latest exhibition offers a sociological reflection of the aspirations and ideals of the past through an analysis of their interiors.
Under the fixed static gaze of Pablo Bronstein’s ‘Grey Witch’, visitors to his site-specific installations in Turin & Venice are propelled into reflections on the constrictions of the space, time and image of the present.
Martin Szekely presents the ambiguous nature of drawers in his minimal structural configuration ‘The Drawers and I’ at Pierre Marie Giraud gallery.
