In this critical essay that traces Piet Stockmans’ oeuvre, cultural philosopher Willem Elias dissects the concepts and issues surrounding the influential Flemish designer and ceramist’s works.
With his furniture and lighting, mixing noble materials, organic shapes and unusual lines, Caporusso excels in producing objects of otherworldly beauty.
Anne Derasse cherishes places filled with history, heritage, know-how and high-end craftmanship, like the “Chartreuse” of Calon Ségur she renovated. Here, TLmag catches up with the interior designer and art historian.
German artist Fabian von Spreckelsen artisanal approach to sculpture guides him to create unique and bespoke pieces for Spazio Nobile with a singular identity, using Corten steel and eroded metal.
By focusing on craft and materiality as a common fabric, curator and writer Glenn Adamson’s practice hopes to cross cultural and language barriers alike. TLmag spoke to Glenn to learn more about his extensive research on material culture, his thoughts on distributed authorship and the need for designers and artists to create curiosity in fraught political times.
TLmag caught up with last year’s La Triennale di Milano’s curator Paola Antonelli to learn more about her focus on restorative design, how she sees the future of human-made design and the inspirations behind the immense exhibition.
TLmag sat down with auctioneer, professor and president of the European Federation of Auctioneers, Henrik R. Hanstein to talk about the most recent events in the ever-changing art market and its legislation.
Spazio Rossana Orlandi and Cascina Cuccagna are presenting Eutopia, the latest project by the Argentinean designer. His inspiration for the chair? Tech meets genius loci.
Three years ago, Justine God left her job as a buyer in the textile industry to launch Imprévu, a women’s ready-to-wear brand. With a thoughtful business model and strong values, her label has found its place in the Belgian market, and soon abroad.
TLmag met with multidisciplinary artist Sophie Whettnall a few weeks before the vernissage of her first solo institutional exhibition in Belgium at CENTRALE – one of the most important steps in her career.
A graduate of La Cambre Mode(s), Belgian Sarah Levy is one of the ten finalists of the prestigious Hyères festival, in the “fashion accessories” category. We met with this 30-year-old who sees much further than the tip of her glove.
For over 15 years, journalist and tv-editor of ‘C’est du Belge’ Marie-Helene Vanderborght has provided visibility for creators and designers from Brussels and Wallonia. Her mission: to invite today’s talents into your living room.