The Brussels Centre for Fine Art, Bozar is celebrating two major figures of the ZERO art movement – Pol Bury and Yves Klein.

Swedish artist and designer Mia E Göransson’s abstract ceramics constitute decontextualised and remixed forms and patterns observed in nature.

Three of Pierre Huyghe’s most iconic works are on display for the first time since being collected by the Louis Vuitton Fondation during the Venice Biennale.

Renowned Korean artist Kwang-Young Chun is celebrated in a retrospective exhibition at the Boghossian Foundation’s Villa Empain until August 27.

A generative system of parts determined by the logic of particle behaviour, Studio Minale-Maeda’s latest work is a sophisticated riff on their Lego Rietveld’s and 3D-printed joints.

A Joseph Walsh retrospective in New York shows how the functional sculpture designer from Ireland pushes organic forms and materials to the limits.

Manhattan design firm Apparatus has launched a meticulously crafted collection inspired by early 20th-century architects, designers and thinkers.

Collaborating with Glas Italia, Tokujin Yoshioka’s exhibition at the new Issey Miyake store was just as awesome as innovative as his pavilion for LG.

For Panerai’s exhibition at D’Days Paris, 12 designers capture the majestic awe of the ocean.

Showing objects from a speculative future when consumers become harvesters, Dutch Invertuals reprise their Milan exhibition at D’Days in Paris.

Themes of worship, ritual and the communal blessed the annual Wallpaper Handmade initiative to stimulate and reify craftsmanship.

British industrial designer Ross Lovegrove’s organic forms are the subject of the Centre Pompidou’s first “forward-looking retrospective”.