The exhibition, curated by Li Edelkoort and Philip Fimmano, focuses on design developments regarding sustainability and respect for the planet’s resources

Architonic spoke to Iran-born industrial designer Khodi Feiz. With his small studio, based in Amsterdam, Feiz is specialised in furniture design and consumer technologies.

Faye Toogood mounted Trade Show during this year’s London Design Festival. Opting out of a traditional furniture fair model to launch her Spade Chair, the multi-talented British designer established a barter system with 50 of the UK’s leading creatives. The resulting showcase resembled a cabinet de curiosité.

Last month, Mathieu Lehanneur was in New York launching two highly distinct projects: the new Maison Kitsuné flagship and his latest Ocean Memories liquid marble series at Carpenters Workshop Gallery demonstrates the top French designer’s range; how one format can inform the other.

The institution is hosting a retrospective of nearly 200 ceramic works from the German artist, made between 1954 and 2013

We spoke with MoOD & Indigo’s director Patrick Geysels about the lessons learned during this year’s fair —among them, why heritage is as important as innovation and… well, gold

For the second part of their kid-friendly exhibition at the Centre Pompidou, GGSV’s Gaëlle Gabillet and Stéphane Villard recruited an unlikely partner: silent protester Liu Bolin

For PAD London, the French porcelain house is back to producing contemporary furniture, with work from Nendo, Doshi Levien and Noé Duchaufour-Lawrance

The Berkeley Square fair is hosting 68 art and design galleries this year, starting tomorrow. We picked our favourites, from minuscule jewellery to historical pieces of furniture

Brooklyn-based Patrick Weder melds the modernist rationalism, often associated with his native Switzerland, with the volatility of natural material. Sculpting monolithic forms along natural lines,… Read more

After a successful run in Milan and Paris, Dutch Invertuals’ Harvest showcase traveled to London Design Festival this month. The manifesto-like collection revealed how young design talents are finding new efficient and self sufficient ways to practice and address the pressing issues of today and tomorrow: calling for a drastic change in economics; our consumption and production.

After the closing of Hope, his recent show at the Art Center of Châteaugiron in Brittany, the botanical artist reflects on the ephemerality and complexity of his source materials