Three years ago, Justine God left her job as a buyer in the textile industry to launch Imprévu, a women’s ready-to-wear brand. With a thoughtful business model and strong values, her label has found its place in the Belgian market, and soon abroad.
TLmag met with multidisciplinary artist Sophie Whettnall a few weeks before the vernissage of her first solo institutional exhibition in Belgium at CENTRALE – one of the most important steps in her career.
Artist Karine Rougier talks to TLmag about the exhibition that’s currently on show at Fondation Thalie, where her atelier is reconstructed.
Maurice Scheltens and Liesbeth Abbenes have built a practice at the intersection of commissioned and autonomous photography. With a little less than a month before it ends, TLmag headed over to FOAM to see the largest museum solo exhibition of this Dutch artist duo.
Belgian artist Thomas Leeroy just opened Behind the Curtain in the Royal Museum of Fine Arts, a solo-exhibition that gives a good overview of his style.
TLmag talks to the founder of the Luigi Pericle Archive, Greta Biasca-Caroni, about bringing Swiss painter Luigi Pericle’s work and message back into the public eye after nearly 50 years of seclusion.
For the fifth edition of London Craft Week the gallery Sarah Myerscough presents the exhibition Charred in Fitzrovia chapel, exploring wood’s materiality.
TLmag highlights two installations, within Ventura Future’s Milan Design Week exhibition, that offered intimate stories and experiences about heritage, memory and using our primary senses.
TLmagazine talks to Eloi Chafaï from Normal Studio about their intensive research at Cirva, and role as scenographers for the exhibition Glass Oriented Design.
Richard Venlet offers a playful overview of his 28-year practice and varied methodology as an artist, architect, curator and exhibition designer in his latest exhibition at BOZAR.
Carpenter Workshop Gallery New York presents Aldo Bakker’s solo-exhibition Slow Motion, where the artist brings a new perception of furniture.
TLmag talks to Fonderia Artistica Battaglia’s new Art Director Nicolas-Bellavance Lecompte about his multi-faceted practice, his new role and the concept behind his latest show ‘L’Ultima Cera’.