In collaboration with Looiersgracht 60, the Gerrit Rietveld’s Large Glass Department celebrates its 50th anniversary with the exhibition State of Transparency.

75 years after it was founded, Parisian Ecole Camondo expands its reach and opens a second site overlooking Toulon’s harbour in September 2019.

A new design research magazine is launched by Mudac and T&P Unit. TLmagazine speaks with its editor-in-chief Claire Faivre Maxwell.

TLmag talks to this young gallerist and interior designer on her lifetime passion for collecting her “crushes” and her apartment gallery’s latest exhibition.

This 58th Biennale di Venezia the initiative GLASSTRESS by Adriano Berengo returns for the sixth time to push artists and designers to explore glass.

ADAM – Brussels Design Museum’s latest exhibition offers a sociological reflection of the aspirations and ideals of the past through an analysis of their interiors.

For this year’s Vienna Biennale the MAK DESIGN LAB is reinstalled. The presentation explores the role of design in this digitalized era using over 500 objects.

Under the fixed static gaze of Pablo Bronstein’s ‘Grey Witch’, visitors to his site-specific installations in Turin & Venice are propelled into reflections on the constrictions of the space, time and image of the present.

Next week sculptor Mauro Mori reveals his new collection Les Editions Courbet, the result of an ongoing creative collaboration with Les Atelier Courbet.

Martin Szekely presents the ambiguous nature of drawers in his minimal structural configuration ‘The Drawers and I’ at Pierre Marie Giraud gallery.

With the exhibition Prehistoric Times, Centre Pompidou explores archeology and the concept of Prehistory in a profound way.

What does it mean to collect? This year, Brussel’s Horta Museum celebrates three monumental anniversaries by presenting three exhibitions that each sheds a different light on the notion of the collecting.