For TLmag35, Brussels-based journalist Sarah Schug, wrote about two designers who are pursuing innovative techniques in weaving using natural materials like pine needles & roots

TLmag spoke to Lionel Estève about his current exhibition, “Jolie Pluie,” on view at Grzegorzki Shows in Berlin, his ongoing fascination with rain, and why challenging situations often lead to the best results.

For TLmag35, Finnish journalist Jutta Ylä Mononen, wrote about the fascinating story of textile designer, artist and entrepreneur Vuokko Nurmesniemi and her ground-breaking print designs that changed the face of fashion.

On April 5th, PAD Paris opens its doors for 5 days of modern and contemporary decorative arts, design, and craft. TLmag previews some of highlights to expect at this esteemed fair.

In their duo-exhibition, “Tree of Life”, artists Bela Silva and Vera Vermeersch offer an homage to Italy, its landscape, culture and history through a series of ceramics and tapestries. On view at Spazio Nobile Gallery through May 15, 2022.

From onion skins to bio-waste, an exhibition in Helsinki spotlights the growing movement of using natural dyes on a small and large scale.

The Hotel des Arts in Toulon presents a comprehensive survey of drawings by French designer, Pierre Charpin. Defined by bold color and sensuous forms and shapes, the exhibition offers an intimate look at this captivating and creative universe.

For TLmag36: All Is Landscape, guest editor, Bas Smets, invited author and activist, Kathelin Gray, to write about her experience and connections to the Biosphere 2, an experimental and ambitious project about the earth and climate change.

Francis Kéré was named the 2022 Pritzker Prize winner, a much deserved recognition for this talented architect. For our S/S 2018 issue: TLmag29: Africas, design journalist Norman Kietzmann wrote a piece about Kéré Architecture.

For TLmag35, Vera Sacchetti wrote about the innovative vision of architect, Mariana Popescu, who is pushing forward the possibilities of creating lightweight architectural structures using limited concrete and 3D industrial printing technologies.

As part of the United Nations ‘Year of Glass 2022’ initiative, the Henry Moore Institute in Leeds, UK, presents an exploratory exhibition about glassmaking in all its states of matter. Exhibition curator, Clare O’Dowd, spoke with TLmag about what makes this medium so unique.

Anders Herwald Ruhwald on what drew him to the work of Swedish modernist ceramicist, Carl-Harry Stålhane, and how his current exhibition, “Ruhwald vs. Stålhane”, explores this relationship through clay and glazing. The exhibition, curated by Love Jönsson, is on view at the Rian Design Museum through April 24th.