This French lawyer specialising in European and copyright law has lived in Brussels for 30 years. Convinced that art and design are sources of innovation and drivers of societal change, he founded KEA, a research agency that aims to support the potential of cultural and creative companies.
Dimitri Jeurissen, co-founder of Brussels-based but internationally active agency Base Design, gives us his vision of communication 2.0 and the new challenges that not only his clients, but his own studio, must face in the coming years.
Creative director, speaker, consultant, teacher and author – this multi-faceted designer and theorist gives TLmag his vision on the past and future of design and the profession of the designer in relation to the COVID-19 crisis.
Using wet plate collodion photographic processes from the mid-19th century, the intimate portraits taken by Italian photographer Silvano Magnone give shape and feeling to suspended time.
Archaeology is a pertinent source of knowledge on ancient cultures – its enquiry deeply embedded in the past. Brussels-based landscape architect Bas Smets switches this timeline around as he looks towards designing what he calls ‘the archaeology of the future’.
For four generations, the Croonenberghs family has shared their passion for marble with architects, designers and lovers of fine materials and stories through their family business. Now, Isabelle Croonenberghs and her brother Bruno are orchestrating the future of Cromarbo.
French illustrator Éva Le Roi has spent the past 10 years in Brussels, tracing the outlines of our urban spaces. Her open and artisanal drawing attracts not only architectural agencies – but also the curators of international festivals and TLmag’s very own sister gallery: Spazio Nobile gallery.
Creators of th FIG, Festival of Graphic Design in Liege, Jeremy Joncheray and Benjamin Dupuis are also behind the studio Signes du quotidien. Marie Honnay has met the co-founder Benjamin Dupuis.
The vibrant colours of Bela Silva’s newest series give Spazio Nobile’s space a Spring awakening. Inspired by the artist’s recent trip to Mexico, the show celebrates Latin-American culture, its history and diverse craftsmanship in a cycle of drawings, ceramic works and a Codex Mexico.
With its expanded roster of over 100 international exhibitors, and offering a platform for both represented and unrepresented designers, the third edition of COLLECTIBLE is an exciting space of possibilities.
Carol and Sarah Piron, both in their thirties, are at the head of Filles à Papa (FAP), a fashion label with an international reach that, over a decade, has made a place for itself on the ultra-competitive market. It was the ideal opportunity for us to meet these Liege-based sisters in their workshop/showroom, located in this Walloon province known for its industrial culture.
Art historian (and managing director of Keramis) Ludovic Recchia discusses the dynamic history and possibilities of ceramics, a medium that is rooted in Walloon tradition, but also in the present.
