Since launching the Fondation Thalie in Brussels in 2018, in a popular neighbourhood for contemporary art galleries, patron, author, curator, and art collector Nathalie Guiot has hatched an assortment of multidisciplinary projects that resonate more than ever, as an invitation to expand our field of possibilities.
Ragnar Kjartansson, the Icelandic artist’s performance and video work, mines the experience of monotony with its repetition and a stretched duration.
TLmag catches up with visual artist John Hogan, whose iridescent glass sculptures seem almost as though they are from a different universe.
Each reflecting on their own interpretation of their medium of choice, crystal, eight distinct crafts(wo)men present the results of their residency-time at Cristallerie Saint-Louis with Fondation d’enterprise Hermès.
TLmag sits down with challenging contemporary furniture making, Maastricht-based, German artist and designer, Valentin Loellmann.
From his studio in Cork, Irish designer Joseph Walsh uses traditional olive ash and limestone to create sculptures and furniture that appear to soar and float, defying their materiality, and in some cases, gravity.
From the nearly 18,000 objects in its collection, Hasselt Fashion Museum selected 170 items of clothing for their latest exhibition. Applying the principles of object-oriented research, the museum navigates through various codes to crack their language: form, fabric, vanitas, identity, and stories.
New York based curator and writer Glenn Adamson navigates through the decades-long practice of Belgian ceramicist Piet Stockmans in his latest essay as part of TLmag 33 print edition: The New Age of Humanism.
Romane Sarfati, CEO of Sèvres – Cité de la Céramique, sits down with TLmag to share her vision for the centuries-old cultural institution and the future of porcelain.
This year the DESIGNART TOKYO festival takes place from 23rd of October until the 3rd of November and boasts an avant-garde space.
Hermès, a house of objects since 1837, presents its sixteenth métier; Beauty. This first collection, Rouge Hermès, is devoted to the beauty of the lips.
Stanislas Colodiet, the new director of CIRVA Marseille, explains how the centre distinguishes itself by giving new resources to creatives.
