The Carpenters Workshop Gallery in Paris presents the solo exhibition Slow Motion with 19 new and recent works by Dutch artist Aldo Bakker for the first time in France. Crossing the boundaries between art and design, the objects slowly reveal their ambiguous forms and meaning as each one has its own character and singular appearance.
Parley for the Oceans is a new form of environmental organization, established in 2012 by award-winning designer and brand/product developer Cyril Gutsch.
TLmag contributor Lara Chapman takes us through the monochromatic images of Polish photographer Joanna Piotrowska, whose uneasy visuals and refusal to create easily digestible images ask us to embrace the discomfort of uncertainty.
Since launching the Fondation Thalie in Brussels in 2018, in a popular neighbourhood for contemporary art galleries, patron, author, curator, and art collector Nathalie Guiot has hatched an assortment of multidisciplinary projects that resonate more than ever, as an invitation to expand our field of possibilities.
Ragnar Kjartansson, the Icelandic artist’s performance and video work, mines the experience of monotony with its repetition and a stretched duration.
TLmag catches up with visual artist John Hogan, whose iridescent glass sculptures seem almost as though they are from a different universe.
Each reflecting on their own interpretation of their medium of choice, crystal, eight distinct crafts(wo)men present the results of their residency-time at Cristallerie Saint-Louis with Fondation d’enterprise Hermès.
TLmag sits down with challenging contemporary furniture making, Maastricht-based, German artist and designer, Valentin Loellmann.
From his studio in Cork, Irish designer Joseph Walsh uses traditional olive ash and limestone to create sculptures and furniture that appear to soar and float, defying their materiality, and in some cases, gravity.
From the nearly 18,000 objects in its collection, Hasselt Fashion Museum selected 170 items of clothing for their latest exhibition. Applying the principles of object-oriented research, the museum navigates through various codes to crack their language: form, fabric, vanitas, identity, and stories.
New York based curator and writer Glenn Adamson navigates through the decades-long practice of Belgian ceramicist Piet Stockmans in his latest essay as part of TLmag 33 print edition: The New Age of Humanism.
Romane Sarfati, CEO of Sèvres – Cité de la Céramique, sits down with TLmag to share her vision for the centuries-old cultural institution and the future of porcelain.
