For its 16th edition, Collect is taking over a large number of rooms at Somerset House. Presenting a new environment to contextualise and curate modern craft, their selection of specialist glass galleries (a total of 9 galleries and over 50 glass artists) is their best yet.
Last month the Fundació Mies van der Rohe and Side Gallery presented No Fear of Glass, a site-specific intervention by the Rotterdam based designer Sabine Marcelis in the Barcelona Pavillion.
Today is the last day to visit Milan Krajíček’s exhibition Fluidum at Gallery Kuzebauch in Prague, Czech Republic. The show explores the possibilities of glass and expanding the horizons of his own imagination.
Moving between languages and communicating only through email and social media, British artist Erin Dickson’s ongoing project Chinese Whispers creates a chain reaction and production between 15 international glass practitioners.
This year’s the Corning Museum of Glass’ annual seminar on glass is in conjunction with the exhibition New Glass Now and focusses on the past, present and future of contemporary glass. The exhibition provides a unique insight into the institution’s history exploring the Glass 1959 and New Glass: A Worldwide Survey (1979) exhibitions.
The radiant, stained glass religious works of prolific glassmaker Louis Comfort Tiffany are brought together for the first time inside Richard H. Driehaus Museum’s historic 19th century Chicago mansion.
Laura Laine created the series Subtle Bodies that explores imagined energies at Spazio Nobile starting this 6th of September.
Von Bartha, Basel presents a solo exhibition by British glass artist Anna Dickinson which explores her unique, glass experiments.
This edition of Nomad is located in the Venetian Palazzo Soranzo Van Axel where a unique dialogue between works and personal context is explored.
Czech glass artist and sculptor Jan Frydrych combines transparent, red and indigo-blue glass to create sophisticated optical glass-art pieces. Imbued with life as light shines through them, the pieces offer a new dimension to the world that they refract.
The exhibition ‘The Crowd Man’ by Marcin Dudek in Wroclaw explores the relation between the crowd and the individual in the context of violence.
Belgian designer Annick Schotte revives traditional craftsman practices in Wallonia through her detailed art installation and crystal chandelier at Cockerill Castle.
