Belgique - België

Three years ago, Justine God left her job as a buyer in the textile industry to launch Imprévu, a women’s ready-to-wear brand. With a thoughtful business model and strong values, her label has found its place in the Belgian market, and soon abroad.

TLmag met with multidisciplinary artist Sophie Whettnall a few weeks before the vernissage of her first solo institutional exhibition in Belgium at CENTRALE – one of the most important steps in her career.

Belgian artist Thomas Leeroy just opened Behind the Curtain in the Royal Museum of Fine Arts, a solo-exhibition that gives a good overview of his style.

Richard Venlet offers a playful overview of his 28-year practice and varied methodology as an artist, architect, curator and exhibition designer in his latest exhibition at BOZAR.

A graduate of La Cambre Mode(s), Belgian Sarah Levy is one of the ten finalists of the prestigious Hyères festival, in the “fashion accessories” category. We met with this 30-year-old who sees much further than the tip of her glove.

For over 15 years, journalist and tv-editor of ‘C’est du Belge’ Marie-Helene Vanderborght has provided visibility for creators and designers from Brussels and Wallonia. Her mission: to invite today’s talents into your living room.

On the first day of COLLECTIBLE 2019, TLmag highlights “Landscape”; the exceptional installation created by New York City and Athens based studio Objects of Common Interest on view at Sight Unseen’s booth

Pascale Mussard, former artistic director of petit h, talks to TLmag on her love for Brussels and Belgian design.

The second edition of COLLECTIBLE reinvents the interior of Brussel’s Vanderborght building through Studio Verter’s resourceful designs.

In a mesh of disciplines, MANIERA gallery challenged painter Pieter Vermeersch and architectural studio OFFICE to co-produce new pieces of furniture design

Morten Løbner Espersen pushes the limits of ceramics in scale, glazing techniques and his unique approach to ornamentation at his exhibition ‘Terra Nova’

Renowned artist David Huycke discusses his unique practice in the technique of granulation and the “risky business” of silversmithing in the 21st century