This extended edition of TLmag’s 32nd printed edition highlights the energy and daring of the designers who throw themselves body and soul into the challenge of hand and material.
Norwegian Crafts’ latest five-part book series edited by André Gali explores the core phenomena that make up the field of contemporary craft.
TLmag sat down with Pierre Yovanovitch to talk about his practice as architect and his project La Casa de Quinta da Côrte.
Vienna’s Museum für angewandte Kunst (Museum of Applied Arts or MAK) was founded in 1863 as a new type of accessible forum for the emerging fields of industrial art and design.
The Carpenters Workshop Gallery in Paris presents the solo exhibition Slow Motion with 19 new and recent works by Dutch artist Aldo Bakker for the first time in France. Crossing the boundaries between art and design, the objects slowly reveal their ambiguous forms and meaning as each one has its own character and singular appearance.
TLmag catches up with visual artist John Hogan, whose iridescent glass sculptures seem almost as though they are from a different universe.
Each reflecting on their own interpretation of their medium of choice, crystal, eight distinct crafts(wo)men present the results of their residency-time at Cristallerie Saint-Louis with Fondation d’enterprise Hermès.
TLmag sits down with challenging contemporary furniture making, Maastricht-based, German artist and designer, Valentin Loellmann.
From his studio in Cork, Irish designer Joseph Walsh uses traditional olive ash and limestone to create sculptures and furniture that appear to soar and float, defying their materiality, and in some cases, gravity.
Stanislas Colodiet, the new director of CIRVA Marseille, explains how the centre distinguishes itself by giving new resources to creatives.
Commemorating 13 years since Noa Eshkol’s passing, TLmag revisits Gunia Nowik’s personal journey to Eshkol’s historic home in Holon (Israel) which was – and still is – the center of collaborative study for the Eshkol-Wachman Movement Notation (EWMN) and Eshkol’s dance repertoire.
Since winning the LOEWE Craft Prize in 2017, Ernst Gamperl has been pursuing more essential & archaic formats. ‘Tree of Life’ is his once-in-a-lifetime project, as he transforms a huge 230-year-old oak tree into 67 wrought vessels that embody his excellence in woodturning and experimental patinas.
TLmag revisits Corning Museum of Glass’ ‘New Glass Now’ exhibition of early 2020, as it surveyed the zeitgeist of contemporary glass creation of 100 emerging and established talents from 32 countries.
