This extended edition of TLmag’s 32nd printed edition highlights the energy and daring of the designers who throw themselves body and soul into the challenge of hand and material.
In a small town in the centre of Mallorca, Huguet has been manufacturing cement tiles for nearly a century. A heritage company that has managed to grow and shift with the times, always emphasizing tradition alongside a contemporary vision.
TLmag catches up with multifaceted creator Hubert Barrère, most known as being the artistic director of the Paris-based embroidery Maison Lesage. Caught between art, fashion and contemporary creation, the conversation dives into the Maison’s ethos, the gesture of the corset and the emotion of craftsmanship.
Norwegian Crafts’ latest five-part book series edited by André Gali explores the core phenomena that make up the field of contemporary craft.
TLmag sat down with Pierre Yovanovitch to talk about his practice as architect and his project La Casa de Quinta da Côrte.
Vienna’s Museum für angewandte Kunst (Museum of Applied Arts or MAK) was founded in 1863 as a new type of accessible forum for the emerging fields of industrial art and design.
The Carpenters Workshop Gallery in Paris presents the solo exhibition Slow Motion with 19 new and recent works by Dutch artist Aldo Bakker for the first time in France. Crossing the boundaries between art and design, the objects slowly reveal their ambiguous forms and meaning as each one has its own character and singular appearance.
TLmag catches up with visual artist John Hogan, whose iridescent glass sculptures seem almost as though they are from a different universe.
Each reflecting on their own interpretation of their medium of choice, crystal, eight distinct crafts(wo)men present the results of their residency-time at Cristallerie Saint-Louis with Fondation d’enterprise Hermès.
TLmag sits down with challenging contemporary furniture making, Maastricht-based, German artist and designer, Valentin Loellmann.
From his studio in Cork, Irish designer Joseph Walsh uses traditional olive ash and limestone to create sculptures and furniture that appear to soar and float, defying their materiality, and in some cases, gravity.
Stanislas Colodiet, the new director of CIRVA Marseille, explains how the centre distinguishes itself by giving new resources to creatives.
Commemorating 13 years since Noa Eshkol’s passing, TLmag revisits Gunia Nowik’s personal journey to Eshkol’s historic home in Holon (Israel) which was – and still is – the center of collaborative study for the Eshkol-Wachman Movement Notation (EWMN) and Eshkol’s dance repertoire.
