TLmag 33 Extended: New Age of Humanism

Rusak spoke to TLmag about his intuitive practice but also the larger implications of design; the critique of convention that his projects embody.

TLmag speaks to Gabriel Hendifar, one half of the Apparatus design studio with partner Jeremy Anderson, about their practice and inspiration.

TLmag catches up with interior and architecture photographer Frederik Vercruysse, whose latest series of everyday still-lives shows a shift towards the subjective within his oeuvre.

In his material-based and experimental practice, Carl Emil Jacobsen paints his organically shaped pieces with self-made pigments from locally sourced bricks and natural stones in light to burnt hues, his work speaks to all of our bodily senses.

Part of the curatorial series ‘Matters of Concern’, this exhibition by Barbara Chase-Riboud is the renowned sculptor, poet and novelist’s first in Europe in a very long time.

Parley for the Oceans is a new form of environmental organization, established in 2012 by award-winning designer and brand/product developer Cyril Gutsch.

TLmag contributor Lara Chapman takes us through the monochromatic images of Polish photographer Joanna Piotrowska, whose uneasy visuals and refusal to create easily digestible images ask us to embrace the discomfort of uncertainty.

From the nearly 18,000 objects in its collection, Hasselt Fashion Museum selected 170 items of clothing for their latest exhibition. Applying the principles of object-oriented research, the museum navigates through various codes to crack their language: form, fabric, vanitas, identity, and stories. 

New York based curator and writer Glenn Adamson navigates through the decades-long practice of Belgian ceramicist Piet Stockmans in his latest essay as part of TLmag 33 print edition: The New Age of Humanism.

Romane Sarfati, CEO of Sèvres – Cité de la Céramique, sits down with TLmag to share her vision for the centuries-old cultural institution and the future of porcelain.

Until February 2021, Belgian museum CID au Grand-Hornu presents ‘Plant Fever’: a traveling exhibition that looks at the development of phyto-centered (or plant-originated) design.

Now available through MoMa’s ‘Virtual Views’ programme, Neri Oxman’s latest exhibition not only takes a critical look at the future of architecture and design, but also aims to re-define the role of the designer as the initiator of a process, rather than the decisive form-giver of an object.