TLmag 34 Extended: Precious A Geology of Being

The A Foundation presents “When Images Learn To Speak,” an exhibition of documentary photographs from the Astrid Ullens collection, curated by Urs Stahl and exhibited at Rencontres d’Arles between July 1-September 24, 2024.

Jean de Loisy and Sam Stourdzé curated the exhibition, Histoires de pierres (Stories of Stones), at the Academy of France in Rome – Villa Médicis, on view now through the 14th of January, 2024.

Carpenters Workshop Gallery presents “Reverse Fireworks in Slow Motion”, the first stateside solo exhibition by Greek artist, Kostas Lambridis.

Unding: Restoration of Existence, on view at Carpenters Workshop Gallery: New York City, is Wonmin Park’s first exhibition in the United States. The show is on view from May 9-July 27, 2023.

For TLmag34: Geology of Being, Amy Hilton spoke with Professor Marcia Bjornerud about her book “Timefulness”and how rocks are permeated with stories and record time.

For TLmag34: Precious – A Geology of Being, Y-Jean Mun Delsalle interviewed jewellery designer and artist, Wallace Chan, about how he got started in jewellery and how keeps inspired to continue innovating new techniques and designs.

The exhibition, Inaspettatamente, offers an exciting opportunity to see a vast selection of contemporary art held in the private collection of Brussels-based collector, Frédéric de Goldschmidt.

For the A/W 2020 TLmag34 – Precious: A Geology of Being, Tracy Lynn Chemaly reported on four innovative architectural firms using traditional clay bricks in pioneering architectural projects. Economical, environmentally stable, and aesthetically eye-catching, it’s time to put this material back in the spotlight.

At the confluence of textile design and neo-materialism, designer Sophie Rowley fashions limited-edition furnishings out of upcycled denim, but it might seem that her chosen medium is marble.

For our A/W 2020 issue, TLmag34: Precious – A Geology of Being, Herve Perdiolle writes about meeting artist Richard Long in India in the 1990s.

The Nigerian-born, multidisciplinary artist Otobong Nkanga, brings an open mind and positive energy to her practice that seeks to build a framework for a better future. Her awareness and sensitivity towards environmental and social issues is the essence of her work.

Noé Duchaufour-Lawrance writes on creating Made In Situ, a ceramic collection inspired by the geography, terroir and beauty of Portugal.