TLmag 34 Extended: Precious A Geology of Being

Spanish artist Miquel Barceló creates clay sculptures, installations and films inspired by his time in Mali and encapsulating a movement toward something ecological and human.

Lucia Bru adopts her unique language to connect us to the different levels of existence, with sculptures like presences and naked objects punctuating a space.

Franck André Jamme gives us access to sacred sanctuaries, close to the hidden core of things — to the divine roots of words themselves.

Polish artist Agata Bogacka creates paintings through accumulated layers of paint and blank canvas, opening up a window for contemplation and imaginative inner landscapes.

TLmag sits down with artist Alicja Kwade to speak of her work, choices of material, and material illusions, including her show ‘Kausalkonsequenz’.

How can we feed, educate and care for ourselves? The Bordeaux Museum of Decorative Arts and Design attempts to unpack these fundamental questions.

Ellora, in close proximity to Aurangabad in India, holds thirty-four cave temples cut into the vertical rock face of the Charanandri Hills.

Brian Rochefort’s sculptural ceramics are fraught with unexpected surface tension, resulting in cups, vessels and wall pieces that reveal vibrant colours, fissures, density and textures that at times seem to ooze off the surface.

Later this month, in the heart of Molenbeek, Brussels, gallerists Harlan Levey and Winnie Kwok will open HLP 1080. Created as a constellation of artist studios, exhibition spaces, and offices, and with Noro Khachatryan’s atelier and showroom above, the new space will function as a hub for diverse artists and creatives to come together.

TLmag speaks to Astrid Ullens and Galila Barzilai Hollander, collecting contemporary art and photography and eclecticism.

TLmag spoke to contemporary art collector, Frédéric de Goldschmidt, in his duplex in Brussels to speak on his practice and vision.

Floral artist Arturo Arita creates bouquets within Diatomée molten glass vases that become the vessel for his graphic and dreamlike landscapes, imbued with colours and shapes with architectural cut-outs.