This online edition celebrates established and upcoming female practitioners in art, design and architecture to celebrate diversity in the creative industries.
Front Design is known for creating playful, avant-garde objects. Shifting between research-driven and experimental projects, the eponymous Swedish design studio embraces tactile and surprising elements to lend their designs a sense of magic.
A contemporary bench by Beauty Ngxongo, with a backrest woven in the traditional Zulu style, brings an age-old South African craft into the 21st century.
Photographer Jean-Francois Jaussaud’s book, “Louise Bourgeois: An Intimate Portrait”, explores the artist’s life and work over eleven years.
Untapped earth, bare ground, women excluded, women enslaved, a fate disavowed, archived, revived from the ashes by Rachel Labastie, in an artistic act.
ammann // gallery presents historically significant and new works by hélène binet, depicting sacred architecture and angelic sculptures.
Created by Rianna Kounou and Nina Knaudt, Berlin-based luxury fashion brand Rianna + Nina is well known for its colourful, carefree, and vibrant printed pieces. For their latest collection, the duo have collaborated with painter and ceramicist Bela Silva and Brussels-based gallery Spazio Nobile.
Anna Boghiguian’s solo show at S.M.A.K. traces history of the cotton trade, her on the past and present, poetry and politics, joyfulness, and a critique.
Diana Scherer developed the next Crafted Collectable, and unfolded the subterranean root system of a plant acts as a type of brain.
Valérie Barkowski brought to life 72; 54+1 have been selected for a special album. TLmag sat down with Barkoski to talk about this intuitive project.
The Kunstmuseum Basel dedicates a major retrospective to the Swiss artist Sophie Taeuber-Arp (1889–1943), showcasing over 250 works.
Gallerist Cécile Fakhoury speaks with TLmag about her current exhibitions in the Ivory Coast, Senegal, and France, how artists work across multiple worlds, and the imperative of physical shows rather than their digital alternatives.
In her solo exhibition ‘I’ve Always Looked to the Sky’ at Aomori Contemporary Art Centre in Japan, Amélie Bouvier explores cultural memory and collective heritage through imagery, anecdotes, and studies of celestial bodies.
