This online edition celebrates established and upcoming female practitioners in art, design and architecture to celebrate diversity in the creative industries.
Jason Jacques Gallery recently presented Nomad, a solo exhibition by Aneta Regel, which proves a great opportunity to explore her artistic practice, through all its vibrant colours and playfulness.
Part of the curatorial series ‘Matters of Concern’, this exhibition by Barbara Chase-Riboud is the renowned sculptor, poet and novelist’s first in Europe in a very long time.
Åsa Jungnelius is not one to shy away from a challenge. Expressive and visually engaging as ever, her latest exhibition at Stene Projects effortlessly brought together distinctly different materials and formats to tell an ephemeral story.
This landmark exhibition of Fondazione Berengo explores the creative idiosyncrasies of glass work produced by female artists who continue to be sidelined in the art world.
In her latest exhibition at Form Design / Center in Malmö, Swedish designer Kajsa Willner imagines a more nuanced and holistic attitude towards the major sustainability challenges we face concerning plastics.
In her first showing in Scandinavia, Korean-German artist Jongsuk Yoon takes over the largest exhibition hall at the Nordic Watercolour Museum with her immense murals.
76 artists presented by 28 galleries across five Nordic capitals. CHART launches its de-centred programme of exhibitions, talks, and events taking place in each participating gallery from 28-30 August, marking the eighth edition of the annual Nordic event for contemporary art.
Before Kandinsky, Malevich and Mondrian, there was Hilma af Klint. After a breakout exhibition of her work in their Stockholm museum back in 2013, Malmö’s Moderna Musseet revisits the Swedish artist’s oeuvre to present new insights into af Klimt’s systematic research.
Now available through MoMa’s ‘Virtual Views’ programme, Neri Oxman’s latest exhibition not only takes a critical look at the future of architecture and design, but also aims to re-define the role of the designer as the initiator of a process, rather than the decisive form-giver of an object.
Greek artist Athina Ioannou maximizes and reinterprets painting through minimal and economic means. Her sensuous ‘abstract’ painting – what she refers to as ‘plus-painting’ – arises from the ‘intensification’ of ready-made carriers through the patient all-over saturation of her work with linseed oil.
Deep in the middle of the Flemish fields, Belgian designer Carine Boxy creates large interior landscapes of sheepskin that drape over floors, walls and furniture. Her beautiful workplace breathes her aesthetics: rough, spontaneous and close to nature.
TLmagazine speaks to visual artist Åsa Jungnelius in light of the uncomfortable circumstances caused by the COVID-19 outbreak. Especially now, her methodology and materialization sparks interesting perspectives and discussions.
